資料

※下記のレジメ（引用部は省略）は写真研究会での発表資料として配布したものです。
　　記録がてらアップしておきます。（030522）

写真研究会　前川　修（2003年５月17日）

Lingering Rengering

――レンガー＝パッチュ（1897―1966）『世界は美しい』の力学―─  

１　はじめに―― 煙突とラジオ塔―― 

２　『世界は美しい』の構成原理―― 客観と抽象――　

３　『世界は美しい』への反応―― 世界はただ美しいだけなのか、世界も美しいのか、この世界は美しいなのか―― 

４　ベンヤミンによる批判――現実であることと現実を語ること――

５　シムズの批判について――公正な写真と裁判官席をひっくり返す写真

６　煙突を見上げること/見下ろすこと
    ――バタイユ、ネイムス、モホイ＝ナジ――

《参考文献》

Christpher Phillips ed., Photography in the Modern Era –European Documents and Critical Writings, 1913-1940, Metropolitan Museum

Albert Renger-Patzsch, Aims (1927), Photography in the Modern Era –European Documents and Critical Writings, 1913-1940, 104-105

  Albert Renger-Patzsch , Joy before the Object (1928), Photography in the Modern Era –European Documents and Critical Writings, 1913-1940, 108-110

  Albert Renger-Patzsch and Erno Kallai, Postscript to Photo-Inflation/Boom Times (1929), Photography in the Modern Era –European Documents and Critical Writings, 1913-1940, Metropolitan Museum, 140-141

Albert Renger-Patzsch, Photography and Art (1929), Photography in the Modern Era –European Documents and Critical Writings, 1913-1940, 142-144

Andreas Haus, Die Entwicklung der modernen Fotografie –Neues Sehen und Neue Sachlichkeit, Monika Wagner(Hg,), Moderne Kunst 2, s.351ff.

Virginia Heckert (Guest Editor),  History of Photography, Volume 21 Number 3 (Autumn 1997)

Thomas Janzen, Albert Renger-Patzsch's Early Work: Object and Abstraction,  182

Claus Pfingsten Albert Renger-Patzsch: Early Industrial Photography, 187

Ulrich Ruetter, The Reception of Albert Renger-Patzsch's Die Welt ist schon, 192

Matthew Simms, Just Photography: Albert Renger-Patzsch's Die Welt ist schon, 197

Virginia Heckert, Albert Renger-Patzsch as Educator: 'Learn to see the World', 205

Thomas Jantzen, Photographing the ‘Essence of Things’, Ann and Juergen Wilde,Thomas Weski ed., Albert Renger-Paztsch, MIT Press,　1997.

Michael Jennings, Agriculture, Industry, and the Birth of the Photo-Essay in the Early Weimar Republic , October 93, Summer 2000, MIT Press

Donald Kuspit, Albert Renger-Patzsch　A Critical BiographicalProfile, Albert Renger-Patzsch　−Joy Before the Object-, Aperture and J. Paul Getty Museum 1993

David Mellor (ed.), Germany the New Photography 1927-33, Arts Council of Great Britain , 1978

Carl Georg Heise, Preface to A.Renger-Patzsch, Die Welt ist schoen (1928), Germany the New Photography 1927-33, p.9-14

Herbert Moldering, Urbanism and Technological Utopianism, Thoughts on the Photography of Neue Sachlichkeit and the Bauhaus (1978), Germany The New Photography 1927-33,  87-94

Brian Stokoe, Renger-Patzsch: New Realist Photographer (1978), Germany the New Photography 1927-33, 95-100

Ute Eskildsen, Photography and the Neue Sachlichkeit (1978), Germany the New Photography 1927-33, 101-112

Abigail Solomon-Godeau, The Armed Vision Disarmed: Radical Formalism from Weapon to Style, Photography at the Dock –Essays on Photographic History, Institutions , and Practices, Minnesota Press, 1991

Vierhuff, Die Neue Sachlichkeit- Malerei und Fotografie, Dumont , 1980