がTenor Saxに注目すべき盤|
1936: Chu Berry/ Chu (伝説の人の決定盤) 1939: Coleman Hawkins(巨人Hawkinsの決定版Body and Soul入り) 1943: Nat Cole/ Vocal Classics and Instrumental Classics 1944: Ben Webster/ Swing Sessions(BenのBlue Note中間派録音セッション) 1945: Dexter Gordon/ Rides again(Dexの若き日の元気な演奏) 1945: Golden Gate Quartet/ Nobody Knows,,, 1946.12: Fats Navarro/ Nostalgia 1949.06: Stan Getz Quartets(Stan Getzはこの頃から頭角をあらわしていた) 1949.12: Bud Powell/ The Amazing Bud Powell, Vol 1(Sonny Rollinsの若い頃の演奏が入っています) 1949: Charlie Parker/ Charlie Parker with Strings, Complete Master Takes 1949: Charlie Ventura/ In Concert(判り易いバップ、のライブ) 1949: Wardell Gray/ Memorial(Dexとのバトルで有名なTwistedの自作自演) |
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1951.01: Sonny Rollins and the Modern Jazz Quartet (豪放磊落、痛快無比のテナーアドリブが注目の的となる) |
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1952.11: Lester Young/ The President Plays with the Oscar Peterson Trio (晩年の演奏ということになるがそれでも素晴らしい) 1952.12: Stan Getz Plays(Stan Getzはもう既に油が乗り切っている) 1952: The Complete Pacific Jazz Recordings of Gerry Mulligan Quartet with Chet Baker |
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1953.08: Dexter Gordon and Wardell Gray/ The Chase (有名なテナーバトル盤) 1953: Modern Jazz Quartet/ Django |
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1954.02: Art Blakey/ A Night at Birdland1954.04: Miles Davis/ Walkin' (Lucky Thompsonの男らしいテナーが聴ける) 1954.05: Thelonious Monk Trio 1954.06: Miles Davis/ Bag's Groove(B面でSonny Rollinsが炸裂) 1954.07: Louis Armstrong/ Plays W.C. Handy 1954.08: Clifford Brown/ In Concert(この時期絶好調のHarold Landが聴ける) |
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1955.02: Clifford Brown/ Study in Brown (ここでもHarold Landが光る) 1955.06: Kenny Clarke/ Bohemia after Dark(ここではJerome Richardsonが聴ける) 1955.09: Dexter Gordon/ Daddy Plays the Horn(Dex叔父さんの中期の名演) 1955.10: Milt Jackson/ Opus de Jazz(Frank Wessが持ち替えでここではフルート主体) 1955.11: Doug Watkins/ Watkins at large(Hank Mobleyが元気一杯) |
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1956.01: Charles Mingus/ Pithecanthropus Erectus (J.R.Monteroseがお猿さん役(^^;) 1956.02: John Lewis/ Grand Encounter(Bill Perkinsの好演盤) 1956.05: Miles Davis/ Steamin' with the Miles Davis Quintet(何かと評判の悪かったColtraneが健気) 1956.05: Sonny Rollins/ Tenor Madness(Rollinsの録音Studioにフラリと現れたColtraneとのテナーバトル) 1956.06: Sonny Rollins/ Saxophone Colossus(説明を要しないテナーの大名盤) 1956.07: Jackie McLean/ 4，5 and 6(Hank Mobleyの調子が良い) 1956.07: Tenors Head on/Bill Perkins and Richie Kamuca(West Coastの名テナー二人の共演) |
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1957.01: Art Pepper/ Art Pepper Meets the Rhythm Section 1957.07: Paul Chambers/ Bass on Top 1957.11: Sonny Rollins/ A Night at the Village Vanguard(RollinsのPianoless Trioの傑作ライブ) |
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1958.01: Sonny Clark/ Cool Struttin' 1958.01: Max Roach/ Max (やっぱりMobleyが熱演) 1958.02: Miles Davis/ Milestones(ColtraneとCannonballの対比が面白い) 1958.03: Julian Cannonball Adderley/ Somethin' Else 1958.08: Thelonious Monk/ Misterioso(Johnny Griffinのいつも以上の大熱演) 1958.11: Benny Golson/ In Paris + And the Philladelphians(Golson-Morgan-Bryant等の若々しい名演) 1958.12: Art Blakey and the Jazz Messengers at the Club St Germain 1958(頭のてっぺんから汗を噴出してのGolsonの熱演が見えるよう) |
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1959.02: Wynton Kelly/ Kelly Blue (Benny Golsonの調子が良い) 1959.02: Al Cohn and Zoot Sims/ A Night At The Half Note(Al and ZootのコンビによるLover, Come back to Meが絶品。このコンビの盤は全て買って失望しない) 1959.04: Miles Davis/ Kind of Blue(ContraneにModeは付き物) 1959.04: Barney Wilen/ Barney(このフランス人も熱血漢) 1959.05: Arnett Cobb/ Party Time(いがらっぽいテキサステナー) 1959.05：Ornette Coleman/ The Shape of Jazz to Come 1959.05: Curtis Fuller/ Bluesette(いわゆるGolson Harmonyの嚆矢となる) 1959.06: Benny Golson/ Gone with Golson(Golson Harmonyで枯葉を) 1959.10: Julian Cannonball Adderley/ Cannonball Adderley Quintet in San Francisco 1959: Julian Cannonball Addeley/ Cannonball Adderley Quintet in Chicago(CannonballとColtraneの吹き合いが楽しめる) |
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1960.01: Wes Montgomery/ The Incredible Jazz Guitar1960.02: Hank Mobley/ Soul Station (Hank Mobleyの傑作) 1960.04: King Curtis/ The New Scene of King Curtis(世の中がどうであってもTexas(R/B) tenorは健在) 1960.04: Thelonious Monk/ At the BlackhawkCharlie RouseとHarold Landの対比が面白い1960.06: Tina Brooks/ True Blue(BNらしいR/B出のテナー) 1960.07: Dave Bailey/ One Foot in the Gutter (Junior Cookもお忘れなく) 1960.10: Cecil Taylor/ The World of 1960.8: James Clay/ The Sound of the Wide Open Spaces(Clay, Fathead Newmanのテナーバトル) 1960.12: Charlie Rouse/ Yeah(ラウズ唯一のリーダー盤) |
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1961.03: John Coltrane/ Ole (この辺からソプラノとの持ち替えに) 1961.05: Teddy Edwards and Howard McGhee/ Together again(この二人も渋い) 1961.05: Horace Silver/ Doin' the Thing at the Village Gate(ライブでのJunior Cook) 1961.06: Mal Waldron/ The Quest(重厚なBooker Ervinが舞台回し) 1961.07: Eric Dolphy/ At the Five Spot, Vol 1 and 2 1961.08: Gene Ammons/ Boss Tenors(Ammons-Stittの枯葉バトル) 1961.08: Lee Konitz/ Motion 1961.10: Rocky Boyd/ Ease It(素性不明のテナーの好演盤) 1961.11: John Coltrane/ The Complete 1961 Village Vanguard Recordings(これでColtraneスタイルは一応完成した) 1961.11: Sonny Clark/ Leapin' and Lopin'(Monk Bandとはかなり違うCharlie Rouseの熱演振り。Ike Quebecも顔を出す) 1961.11: John Coltrane/ Live Trane: The European Tours(1962-63年の訪欧楽旅のライブで、この人の芸術の完成していく過程が読み取れる貴重な記録) 1961.12: Zoot Sims/ Zoot Sims in Paris(Zoot初期のライブ) 1961: Oliver Nelson/ The Blues and the Abstract Truth |
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1962.02: Stan Getz/ Jazz Samba (Bossa Nova Getzの出発点) 1962.03: Art Blakey/ Three Blind Mice (Wayne Shorter加入直後の傑作) 1962.04: John Coltrane Quartet(いつ聴いても良い不動のカルテット) 1962.04: Roland Kirk/ Domino(ブリブリでいて物悲しいKirkならではの世界) 1962.05: Roy Haynes/ Out of the Afternoon(そしてこれがKirkの傑作盤) 1962.06: Don Wilkerson/ Preach Brother(気持ち良いほどクサイTexas Tenorの迫力) 1962.06: Wes Montgomery/ Full House(Johnny GriffinはWesと良く合う) 1962.08: Dexter Gordon/ Go(復帰後の後期の快演Chees Cakeあり) 1962.08: Coleman Hawkins/ Hawkins Alive At the Village Gate(いやぁこのお爺さんも元気、元気) 1962.10: Max Roach/ Speak, Brother, Speak(Cliff Jordanの真骨頂が聞ける) 1962.10: Stanley Turrentine/ Jubilee Shout (もうひとりのBoss Tenor) 1962.12: Herbie Mann Live at the Village Gate |
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1963.02: Dave Brubeck/ At Carnegie Hall1963.05: Dexter Gordon/ Our Man In Paris (Powell-Dex-Clarkeという同窓会ながら実に良い) 1963.06: Joe Henderson/ Page One(Post-Coltrane Tenorの先乗りか) 1963.10: Horace Silver/ Song for My Father(Joe Henderson-Junior Cookの聴き比べにも) 1963.12: Lee Morgan/ The Sidewinder(これもJoe Henderson出だしの頃の傑作) |
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1964.02: Miles Davis/ The Complete Concert 1964, My Funny Valentine + Four and more (こっちはGeorge Colemanで決まり) 1964.06: Eric Dolphy/ Last Date 1964.07: Albert Ayler/ Spiritual Unity(片面録音、乳白色で白のロゴ入りが強烈な印象のフリーでは有名な盤) 1964.07: Miles Davis/ In Tokyo(Sam Riversも得がたい人材) 1964.09: Lucky Thompson/ Lucky Strikes(Hawkins譲りの悠揚迫らぬワンホーン) |
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1965.03: Herbie Hancock/ Maiden Voyage (こっちもGeorge Colemanが活躍) 1965.06: Hank Mobley/ Dippin'(Mobleyの名は知らずとも、この曲は知っている筈) 1965.09: John Handy/ Live at Monterey 1965.10: Booker Ervin/ Setting the Pace(Gordon/ Ervinのテナーバトル) 1965.12: Ornett Coleman/ Trio at the Golden Circle |
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1966.01: Sonny Rollins/ Alfie (吹っ切れたRollinsには怖いものなし) 1966.02: Bobby Hutcherson/ Happenings 1966.02: Wayne Shorter/ Adam's Apple(出ましたぁ、Adam's Appleは男の印) 1966.09: Charles Lloyd/ Forest Flower(この不思議なビートと、面妖なテナーがヒットの鍵) |
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1967.02: Art Farmer/ The Time and the Place (珍しくJimmy Heathが熱いノリ) 1967.06: Wes Montgomery/ A Day in the Life 1967.10: Archie Shepp/ One for Trane, Live at Donaueschingen Music Festival(Coltraneの死に感じるところあってのこの圧倒的なブロー) 1967.11: Roland Kirk/ The Inflated Tear(このテナーのかすれ気味の直截な表現には感涙あるのみ) |
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1968.03: Chick Corea/ Now He Sings, now He Sobbs 1968.06: Bill Evans/ At the Montreux Jazz Festival |
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1969.06: Les McCan/ Swiss Movement (いやはや、Eddie Harrisの電気テナーがMcCanのアクの強さを凌駕するとは) 1969.09: Clifford Jordan/ In the World(Jordan畢生の大名盤) |
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1972.05: Ben Webster/ Stardust-Live at the Haarlemse Jazz Club (どっこいまだまだ若いのには負けやせん) 1972.09: Elvin Jones/ Live at the Lighthouse Vol l(Steve Grossman-Dave Liebmanの重量級双発テナーは凄いの一言) 1973: Zoot Sims/ Zoot at ease(Zoot中期の名盤) 1974.03: Mizuhashi Takashi/ When a Man Loves a Woman(八方破れの中村誠一には参る) 1974.11: Modern Jazz Quartet/ The Last Concert 1975.04: Count Basie/ Basie and Zoot (大人のジャズです) 1977.02: Hank Jones/ Great Jazz Trio at the Village Vanguard 1977.07: Art Pepper/ The Complete Village Vanguard Sessions 1977.07: Milt Jackson/ Milt Jackson and Ray Brown Jam at Montreux 77(Eddie Davisのジャム破りのテナー) 1977.11: Keith Jarrett/ My Song(北欧のJan Grabarekも独自の境地を堅持) 1977: John Bunch/ John's Other Bunch (Scott Hamilton初期の好演盤) 1978.04: Zoot Sims/ For Lady Day(ゆくりなくLady Dayを偲ぶ) 1978.09: Rosemary Clooney/ Here's to My Lady(この辺りのScott Hamiltonは絶好調) |
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1980.04: Warne Marsh/ Ornithology (ヴェテランMarshも元気です) 1981.08: Al Cohn/ Tour de Force(Al Cohn, Buddy Tate, Scott Hamiltonという3本のテナーが熱く吹きまくるBlues up and downの爽快さがジャズの真髄) 1982.03: Eddie Lockjaw Davis/ Live at the Widder，1(Eddie Davisの欧州ライブ盤) 1982.07: Sonny Stitt/ Sonny, Sweets and Jaws(Eddie Davisが熱演したり、スローで聞かせたり) 1983.02: Stan Getz/ The Stockholm Concerts(Getz-Bakerの珠玉のライブ) 1983: Charles Lloyd/ A Night in Copenhagen(ペトさんに感じてカムバック) 1984.11: Zoot Sims/ It had to Be You(Zoot-Scot Hamiltonの出会いライブ) 1985.04: Slide Hampton/ Roots(Cliff Jordanが相変わらず独特の味) 1985: Lee Morgan/ Live at the Lighthouse(Bennie Maupinもなかなかのもの) 1986: Michael Brecker(器用に良く吹くんですが、、、) 1987.07: Stan Getz/ Anniversary(Getz-Barronのコンビが実に良い) 1988.05: Johnny Griffin/ Woe Is Me(Hush-a Byeの決定盤) 1988.07: J.R. Monterose/ T.T.T.(Monterose-Hodのコンビは良く唄う) 1989.09: David Fathead Newman/ Blue Head(Fathead Newman-Clif Jordanの双発テナーでライブは大騒ぎ) |
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1990.03: Masato Imazu/ What's a Mellody (Ammonsを尊敬すると言う邦人テナー) 1990.05: Eddie Harris/ There was a Time(Harris畢生の名盤の影にKenny Barronあり) 1990.11: Archie Shepp/ Blues(ヴォーカルとも言えない唸りがテナーと良く合っている) 1990.12: Moriyama Takeo/ Live at Lovely(井上のテナーを鼓舞する森山の怒涛のドラムス) 1991.03: Stan Getz/ People Time(死の直前のBarronとのデュオ) 1991.11: Charles Lloyd/ Notes from Big Sur(新境地を開いた異境の音楽) 1992.03: Tony Williams/ Tokyo Live(Bill Pierceと言う新人も居ます) 1994.04: James Carter/ Jurassic Classics(この迫力、思いっきりの良さながら本道をはずしていない) 1994.05: Harry Allen/ Jazz im Amerika Haus，Vol. 1(Scott Hamiltonとは明らかに異なるゆったりテナー) 1994.06: Keith Jarrett/ At the Blue Note 1994.09: Gianni Basso/ Live at the Downtown(イタリアの老練も凄い) 1995.03: Joshua Redman/ Spirit of the Moment, Live at the Village Vanguard(親父譲りのスケールのでかさは期待できる) 1996.12: Eric Alexander/ Two of a Kind(若手とはいえ、やることは手堅い) 1998.01: Steve Grossman Quartet(ペトさんとの最高傑作) |